Elements & Styles
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There are dozens of us! DOZENS! Heyyyyyy Uncle Father Oscar. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. Perhaps you remember Neuterfest? I’ll never forget your wedding.
This was a big get for God. You might enjoy this. Oh. Em. Gee. That’s amazing. Friend of mine from college. He also has a boat tho not called the Seaward. What have we always said is the most important thing? How about a turtle? I’ve always loved those leathery little snappy faces. Please refrain from discussing or engaging in any sort of interoffice [bleep] or [bleep] or finger[bleep] or [bleep]sting or [bleep] or even [bleep]. Heyyyy Uncle Father Oscar. Ah coodle doodle doo, ah coodle doodle doo.
And here you are coming out of your mother’s third base! Go ahead, touch the cornballer.
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There are dozens of us! DOZENS! Heyyyyyy Uncle Father Oscar. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. Perhaps you remember Neuterfest? I’ll never forget your wedding.
This was a big get for God. You might enjoy this. Oh. Em. Gee. That’s amazing. Friend of mine from college. He also has a boat tho not called the Seaward. What have we always said is the most important thing? How about a turtle? I’ve always loved those leathery little snappy faces. Please refrain from discussing or engaging in any sort of interoffice [bleep] or [bleep] or finger[bleep] or [bleep]sting or [bleep] or even [bleep]. Heyyyy Uncle Father Oscar. Ah coodle doodle doo, ah coodle doodle doo.
And here you are coming out of your mother’s third base! Go ahead, touch the cornballer.
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There are dozens of us! DOZENS! Heyyyyyy Uncle Father Oscar. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. Perhaps you remember Neuterfest? I’ll never forget your wedding.
This was a big get for God. You might enjoy this. Oh. Em. Gee. That’s amazing. Friend of mine from college. He also has a boat tho not called the Seaward. What have we always said is the most important thing? How about a turtle? I’ve always loved those leathery little snappy faces. Please refrain from discussing or engaging in any sort of interoffice [bleep] or [bleep] or finger[bleep] or [bleep]sting or [bleep] or even [bleep]. Heyyyy Uncle Father Oscar. Ah coodle doodle doo, ah coodle doodle doo.
And here you are coming out of your mother’s third base! Go ahead, touch the cornballer.
There are dozens of us! DOZENS! Heyyyyyy Uncle Father Oscar. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. Perhaps you remember Neuterfest? I’ll never forget your wedding. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. Perhaps you remember Neuterfest? I’ll never forget your wedding. – Joe Dipshit
There are dozens of us! DOZENS! Heyyyyyy Uncle Father Oscar. Well excuse me, Judge Reinhold! It’s Sunday, but screw it — juice box time. I’ve always been deeply passionate about nature. – Joe Dipshit
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Pricing Tables
| Friend $40 |
Dreamer $100 |
Kitefliers $250 |
Jobsiteer $500 |
Rock Star $750 |
All Star $1,500 |
|
|---|---|---|---|---|---|---|
| Listed in the online program and donor listing on our website | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Jobsite stickers | ✓ | ✓ | ✓ | ✓ | ✓ | |
| More Jobsite swag | ✓ | ✓ | ✓ | ✓ | ||
| Name recognition on the video monitor outside the theater | ✓ | ✓ | ✓ | ✓ | ||
| Even more swag (stickers, magnets, pins) | ✓ | ✓ | ✓ | |||
| 1 lightweight Jobsite hooded sweatshirt (the theater gets chilly) | ✓ | |||||
| 2 season passes with reserved seating in the Shimberg | ✓ | ✓ | ||||
| Free entry into all Job-side Productions and ticketed fundraisers | ✓ | |||||
| Your choice of 2 t-shirts or light hooded sweatshirts from our inventory and all the swag we have in stock | ✓ |
Seasonal Show Info
Romeo & Juliet
By William Shakespeare
Directed by David M. Jenkins
Jan. 21 – Feb. 6, 2022
Preview Performances: Jan. 19 – 20
Jaeb Theater, Straz Center for the Performing Arts
20 years after establishing a Tampa Bay area tradition, Jobsite finally tackles the Bard’s most famous play. It’s 1985: an unprecedented epidemic and social unrest compete for the soul of our nation (sound familiar?) as Romeo and Juliet, the offspring of sworn enemies, defy their world by choosing love over hate. As relevant today as it was in 1595, this production uses the backdrop of the 1980s to explore the entrenched polarization that dominates contemporary culture and the tragic costs of intolerance and division. Jobsite’s Romeo & Juliet features an 80s-influenced original score by resident composer Jeremy Douglass and high-definition video design by director David M. Jenkins. Jobsite’s approach to Shakespeare has historically been powered by sociocultural influence, and this will be no exception with inspiration drawn heavily from two other pastiches set in the 1980s – Stranger Things and the graphic novel Prince of Cats.
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Critic Reviews w/ Archive
hard to point out one performer over another, the unit as a whole is the strongest company I have seen for quite some time, probably one of the strongest I have seen over the last decade. – BroadwayWorld
Excellent acting … Everything: The themes and premises get under your skin, especially at a time when the news tells of an equally brutal world. – Kulturspiegel
if you desire to see one of Jobsite’s strongest plays in memory, one that more than earned its standing ovations on the night I attended, then please don’t miss this. It had me laughing and gasping and holding my breath all within seconds. There are moments when you want to cry out and others when you dare not make a sound. You leave shaken and satisfied, smiling and cringing, uplifted by great theater and bruised by the emotional punch that THE PILLOWMAN delivers. It ranks way up there with Jobsite’s very best. – Peter Nason, BroadwayWorld
hard to point out one performer over another, the unit as a whole is the strongest company I have seen for quite some time, probably one of the strongest I have seen over the last decade. – BroadwayWorld
Excellent acting … Everything: The themes and premises get under your skin, especially at a time when the news tells of an equally brutal world. – Kulturspiegel
if you desire to see one of Jobsite’s strongest plays in memory, one that more than earned its standing ovations on the night I attended, then please don’t miss this. It had me laughing and gasping and holding my breath all within seconds. There are moments when you want to cry out and others when you dare not make a sound. You leave shaken and satisfied, smiling and cringing, uplifted by great theater and bruised by the emotional punch that THE PILLOWMAN delivers. It ranks way up there with Jobsite’s very best. – Peter Nason, BroadwayWorld
Cast & Crew w/ Archive
- Summer Bohnenkamp – Co-Director
- David Jenkins – Co-Director
- Chris Giuffre – Technical Director
- Jessie Dorsey – Stage Manager
Cast
- Troy Padraic Brooks – Michal
- Steven Sean Garland* – Ariel
- Georgia Mallory Guy* – Katurian
- Porter Long – Child
- Paul J. Potenza – Tupolski
Crew
- Jo Averill-Snell – Light Design
- Jeremy Douglass – Sound Design
- Logan Franke – Props and Special Effects
- Chris Giuffre – Set Design
- Skylar Jay – Scenic Artist
- Eric Leas – Scenic Associate
- Spencer P. Meyers – Projection Illustrations
- Sebastian Paine – Technical Apprentice
- Katrina Stevenson – Costume Design
Production
- David M. Jenkins – Producing Artistic Director
- Greg Newcomb – Key Art
- Shawn Paonessa – Online Producer
- Jena Rashid – Producing Associate
- Nicole Jeannine Smith – Producing Associate
* Denotes a member of Actors’ Equity Association
- Summer Bohnenkamp – Co-Director
- David Jenkins – Co-Director
- Chris Giuffre – Technical Director
- Jessie Dorsey – Stage Manager
Cast
- Troy Padraic Brooks – Michal
- Steven Sean Garland* – Ariel
- Georgia Mallory Guy* – Katurian
- Porter Long – Child
- Paul J. Potenza – Tupolski
Crew
- Jo Averill-Snell – Light Design
- Jeremy Douglass – Sound Design
- Logan Franke – Props and Special Effects
- Chris Giuffre – Set Design
- Skylar Jay – Scenic Artist
- Eric Leas – Scenic Associate
- Spencer P. Meyers – Projection Illustrations
- Sebastian Paine – Technical Apprentice
- Katrina Stevenson – Costume Design
Production
- David M. Jenkins – Producing Artistic Director
- Greg Newcomb – Key Art
- Shawn Paonessa – Online Producer
- Jena Rashid – Producing Associate
- Nicole Jeannine Smith – Producing Associate
* Denotes a member of Actors’ Equity Association
Patron Reviews w/ Archive
After seeing Pillowman @ Jobsite Theater I am filled with thoughts, feelings and an unsettled energy that is palpable. I will say this, of my MANY thoughts: RUN!!! Don’t walk, to see Pillowman. The performances: nothing short of truthful anguish. The comedic timing: close to flawless. The directorial vision: clear, crisp, and harsh. The script: disturbing, but hilarious. This show is a game changer. I was not prepared for the experience. Eat your wheaties folks … the cast are equally sharp in their performances, finding the humanity in an inhumane set of circumstances. – Kyle Stone
My friends and I found the show completely gripping, the performances arresting. – Mona Lim
Such a tight ensemble giving delightfully disturbing performances that will also get ya laughing. The material is HAUNTING but if you’re the type who loves to unwind with a good true crime doc, you’ll LOVE this play. Running now through April 6th! – Colleen Cherry
Disturbingly amazing show from Jobsite Theater. Defies explanation and gets a full house standing ovation for how strong it is. Wow! – Chris Hart
After seeing Pillowman @ Jobsite Theater I am filled with thoughts, feelings and an unsettled energy that is palpable. I will say this, of my MANY thoughts: RUN!!! Don’t walk, to see Pillowman. The performances: nothing short of truthful anguish. The comedic timing: close to flawless. The directorial vision: clear, crisp, and harsh. The script: disturbing, but hilarious. This show is a game changer. I was not prepared for the experience. Eat your wheaties folks … the cast are equally sharp in their performances, finding the humanity in an inhumane set of circumstances. – Kyle Stone
My friends and I found the show completely gripping, the performances arresting. – Mona Lim
Such a tight ensemble giving delightfully disturbing performances that will also get ya laughing. The material is HAUNTING but if you’re the type who loves to unwind with a good true crime doc, you’ll LOVE this play. Running now through April 6th! – Colleen Cherry
Disturbingly amazing show from Jobsite Theater. Defies explanation and gets a full house standing ovation for how strong it is. Wow! – Chris Hart
