Creative Loafing Best of the Bay Nominated
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Jobsite Theater does not offer advisories about subject matter, as sensitivities vary from person to person. If you have any questions about content, age-appropriateness or stage effects (such as strobe lights or theatrical fog) that might have a bearing on patron comfort, please contact us by email or phone at 813.476.7378.
Single ticket prices listed ($29.50) are base-line prices. Prices for individual performances will increase based on demand.
Nothing from Tue., May. 11, 2021 to Mon., May. 17, 2021.
What It’s AboutA little bit Edward Gorey, a little bit Nightmare Before Christmas, Shockheaded Peter is the phantasmagorical musical staging of Heinrich Hoffman’s dark, mildly-terrifying 19th-century German children’s book Struwwelpeter. The show illuminates graphic cautionary tales about a cast of disobedient children like Young Harriett and her pyrotechnic tendencies, little Conrad and his insatiable thumb-sucking and a handful of other misbehaving youngsters who come to untimely and hilariously horrific ends. This production will be of a special, devilishly dark delight to fans of Jobsite’s much-beloved production of Gorey Stories.
Why You Should See It
A major award-winning play by one of the country’s most celebrated playwrights featuring regional powerhouses? Do we even need to offer more than that? Director Summer Bohnenkamp has helmed some of the most critically-acclaimed productions in recent Jobsite history, so she not only has good taste but the skills to back it up. We also promise you that this show will have you talking LONG after you leave the theater. Did he do it? Was she right? Do you have doubts about either or both? Very few plays walk a line like this one does. We promise you won’t be able to take your eyes off of it.
Why We Picked It
This was another Jobsite no-brainer – it suits all of our strengths and what audiences love about our contemporary work. The roles of Sister Aloysius and Father Flynn are among the meatiest in contemporary theater. Mrs. Muller may only have one extended scene, but it will simply knock you off your socks. Sister James is the audience’s conscience. The last play we produced that probably packed it all in and generates as much discussion among an audience was likely David Mamet’s Race. This play, when performed right, should leave you with the same doubt referred to in the title. We all have our doubts, doubt is perhaps the most powerful human state. John Patrick Shanley says, “The beginning of change is Doubt. It is that crucial moment when I renew my humanity or become a lie.”
From the playwright
“Doubt requires more courage than conviction does, and more energy; because conviction is a resting place and doubt is infinite — it is a passionate exercise. You may come out of my play uncertain. You may want to be sure. Look down on that feeling. We’ve got to learn to live with a full measure of uncertainty. There is no last word. That’s the silence under the chatter of our time.” – John Patrick Shanley
This play is dedicated to the many orders of Catholic nuns who have devoted their lives to serving others in hospitals, schools and retirement homes. Though they have been much maligned and ridiculed, who among us has been so generous?
EXCITING ANNOUNCEMENT! We’ve received a generous grant from the Community Foundation of Tampa Bay that will help us continue to do our work in the
UPDATE 5/4/21: The recent executive actions from Tallahassee have understandably created some concern and confusion. These actions only pertain to local governments in Florida and
Jobsite provides a variety of cool banners that you can put on your website. AND they update automatically. So just drop it in once, and when we’re ready for our next show, we’ll update the graphic, and it’ll automatically update on your site too!
- David M. Jenkins – Director
- Jeremy Douglass – Music Director
- Brian Smallheer – Technical Director
- Matthew Ray – Production Stage Manager
- Colleen Cherry – Ensemble / Puppetmaster
- Amy. E. Gray – Ensemble / Mother
- Jonathan Harrison – Ensemble / Father
- Spencer Meyers – Siren
- Paul J. Potenza – MC
- Kasondra Rose – Ensemble / Aerial Silks
- Katrina Stevenson – Ensemble / Aerial Silks
- Elwood Bond – pots, pans, drums, junk
- Jeremy Douglass – melodica, piano, bowed saw, glockenspiel, bass
- Mark Warren – bass, guitars
- Jo Averill-Snell – Lighting Designer
- Teah Banks – Rehearsal Stage Manager
- Dave Cohen – Sound Engineer
- Reuben Hirsh – Master Electrician
- Chloe Mastro – Scenic Artist
- Tea Roberts – Scenic Artist
- Kasondra Rose – Choreography
- Brian Smallheer – Scenic Designer
- Katrina Stevenson – Costume Designer / Choreography