In his first comedy for the stage, the popular actor and screenwriter plays fast and loose with fact, fame and fortune as two of the 20th Century’s legendary geniuses muse on humanity’s achievements and prospects as well as other fanciful topics with infectious dizziness.
Picasso at the Lapin Agile offers up a fictitious meeting in 1904 between Albert Einstein (age 25) and Pablo Picasso (age 23) in the Lapin Agile, a cabaret/bar and haven for artists, musicians, poets and philosophers in the Montmartre section of Paris.
This encounter occurs just one year before Einstein presents the special theory of relativity in 1905 and three years before Picasso revolutionizes art in 1907 with his new aesthetic reflected in “Les Demoiselles d’Avignon.”
Picasso at the Lapin Agile presents a compelling examination of science and art and their impact on a rapidly changing society. The play moves with ease between the breezy and the profound, as the two men engage in a battle of ideas about probability, lust, artistic integrity and the future. Dancing a line between comedic and serious, the play’s exploration of art, physics, philosophy, time, space and relationships of all kinds excites a lively combustion of colorful characters and propels the observer to consider our desires for innovation, love and beauty.
Bystanders, including Picasso’s agent, his amorous fan, the bartender and his mistress, an elderly philosopher and an idiot inventor introduce additional flourishes of humor. The final surprise patron to join the merriment at the Lapin Agile is a charismatic dark haired singer time warped in from a later era.
About The Playwright
Steve Martin began his career on “The Smothers Brothers Comedy Hour” (1967-1969), for which he earned his first Emmy Award for Outstanding Writing Achievement in Comedy, Variety or Music in 1969. In the mid-1970s, Mr. Martin shone as a stand-up on “The Tonight Show Starring Johnny Carson” and NBC’s “Saturday Night Live.” Martin’s films are widely popular successes and are the kind of movies that are viewed again and again: The Jerk (1979), Planes, Trains & Automobiles (1987), Roxanne (
- Kari Goetz – Director
- Jaime Giangrande-Holcom – Stage Manager
- J. Duggan – Schmendiman
- Jason Evans – Einstein
- Steve Garland – Gaston
- Christen Hailey – Germaine
- Chris Holcom – Picasso
- Matt Lunsford – Freddy
- Michael C. McGreevy – Sagot
- Christen Hailey – Germaine
- Geneva Rae – Suzanne
- Dominic Russo – The Visitor
- David Valdez – Assistant Stage Manager
- Karla Hartley – Lighting Designer
- Brian M. Smallheer – Scenic Designer
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