
Why Henry V?
In 2002 we produced a bloody, raw, and ambitious version of Titus Andronicus as our first full-length foray into the classics. We picked a lesser-known
In 2002 we produced a bloody, raw, and ambitious version of Titus Andronicus as our first full-length foray into the classics. We picked a lesser-known
After the tremendous success of our first MadLib the Bard game, we’re back with another! Here’s board and ensemble member Roxanne Fay with the deal
Socially-Distant Soliloquies is inspired in part by the wild success of the end result of our MadLib the Bard! game and in part by the
Today I meet with composer Jeremy Douglass and aerial/circus choreographer Katrina Stevenson to talk about A Midsummer Night’s Dream, going into rehearsal in mid-December. I’m
With $20,000 from two local foundations, the theater can expand its educational outreach.
A few have been curious about some of the choices made in our production of The Taming of the Shrew, and after talking to a
Here is the first part of the paper I wrote on my plans for this production of The Taming of the Shrew for my Sexuality
I can take it as well as the next guy, so here’s a video Amy Gray caught of me handing out “direction” to our Gremio,
More photos sent to me by cast-member Amy Gray! 🙂 You may click any of the images to go to Flickr, where you may see
Katrina Stevenson, who plays Kate in our production of The Taming of the Shrew, shared with me her inspirado songs for rehearsal. Check ’em out!
Amy Gray –who plays Biondello, Curtis and the Widow in our version of Shrew — put me in contact with Will Mackenzie a few weeks
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