Bloody Poetry

By Howard Brenton

Directed by Katrina Stevenson

Oct. 30 – Nov. 16, 2003

Thu. – Sat. 8pm, Sun. 4pm

Tickets: $15.50 – $19.50

Shimberg Playhouse, Straz Center for the Performing Arts

Winner!

  • Weekly Planet 2003 Top Ten Production
  • Best of 2003 – The Tampa Tribune

Jobsite offers another tantalizing treat in our successful lineage of shows for the Halloween season: Howard Brenton's literate and darkly funny Bloody Poetry, a gorgeous retelling of the famous "Haunted Summer" of 1816 that features Mary Shelley, Lord Byron and Percy Bysshe Shelley in a time where poets were as revered and reviled as today's rock stars. Full of sex, death and ghost stories, audiences can expect an eerie, potent and engaging piece of theater by a modern master.

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(Clock from L) Chris Holcom, David Jenkins and Jason Evans in Jobsite's Bloody Poetry.

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During their first meeting in Geneva flows brandy (at least for Byron, Bysshe didn't drink), free love and the greatest Romantic poetry the world has ever known. They challenge and delight each other with ghost stories, poetry recitation and political debate. Meanwhile in the mind of Mary Shelley, Frankenstein's monster waits to be born.

These figures were a century and a half ahead of their time. They pioneered the classic Romantic quest for a modern Utopia. They advocate atheism, Platonic ideals and free love. "All of us will become magnificent," says Mary. "Let us play at gods and goddesses.'' However, for Byron and his circle to do so and "to live and love without fear" there is a heavy price to be paid.

While there is an abundant source of theatrical adaptations and inspired pieces based on great literature, very little exists based on literature's greatest writers themselves, especially the Romantics.

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(L-R) Chris Holcom and Summer Bohnenkamp-Jenkins in Jobsite's Bloody Poetry.

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Lord Byron and the Shelleys wrote in a very unique period of Western history. In a time of cultural upheaval, when England's (and Europe's) political and economic axis was end over end, great thinkers were finding the new light. Bloody Poetry's subjects are the artistic contemporaries of Paine, Jefferson and (quite literally) Godwin and Wollstonecraft. These were not simply poets, waxing over nature, beauty, and religion. These deans of England's "Satanic School" of literature were visionaries, philosophers, revolutionaries in a time that would critically shape a new turn in Western civilization.

About the Artists

This show is directed by Katrina Stevenson whose past directing endeavors have landed her two Top 10 show nods from Weekly Planet – The Tibetan Book of the Dead (2002) and The Complete Works of William Shakespeare (abridged) (2001). She was just awarded the 2003 Best of the Bay for Best Costume Designer by Weekly Planet.

In Bloody Poetry "Mad, bad and dangerous to know" George, Lord Byron (David M. Jenkins) meets the sickly radical poet Percy Bysshe Shelley (Chris Holcom). They are introduced via a shared mistress, Claire (Kari Goetz). Along with Bysshe's wife and fellow writer Mary Shelley (Dena Cousins), these four form a ménage a quatre in the oft-chronicled "Haunted Summer" of 1816. Tagging along behind Byron is his socially-inept personal physician and unauthorized papparazi-like biographer, Dr. Polidori (Jason Vaughan Evans). Haunting Bysshe throughout is the spirit of his first wife, Harriet (Summer Bohnenkamp-Jenkins).

See more about the Cast & Crew.
Poster

"Brenton is doing something markedly ambitious in this phantasmagoric play. He is celebrating the idea of the committed artist who seeks to stir and provoke sullen, defeated bourgeois England. At the same time, with clear-eyed honesty, he shows how difficult it is to upset the moral order." – The Guardian.